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正片
孟鹤堂,管乐,吴笛畅,柯达,谭维维,雷淞然,庞博,柯蓝,段博文,清一色,胡姗姗,刘诣文,刘陆,刘十六
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全47集
青山吉能,下野纮,植田佳奈,宫本佳那子
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平田广明,东山奈央,上田瞳,广濑有纪,矢野妃菜喜,仲田亚里沙,斋藤千和,石川界人,内田直哉
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大冢刚央,市之濑加那,菲鲁兹·蓝,石田彰,佐仓绫音,铃村健一,鸟海浩辅,立花慎之介,游佐浩二,桧山修之,竹内顺子,大原沙耶香,雨宫天,小仓唯,宇垣秀成,黑田崇矢
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山根绮,八代拓,户谷菊之介,梅原裕一郎,福山润,川岛零士,内山昂辉,驹田航,古屋亚南,日野聪,水中雅章,榎木淳弥,子安武人
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宫本侑芽,大久保瑠美,日笠阳子,天崎滉平,小野友树,堀江瞬,仲村宗悟
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大森南朋,相叶雅纪,松下奈绪
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津田宽治,大石ともこ,土屋咲登子,篠田谅,白川礼, 新纳敏正,三宅美羽,中村朱里,山根馅,五郎丸莉菜,花谷聪亮,拓也,翔司
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谢琼煖,洪都拉斯,陈仙梅,蓝苇华,苏晏霈,曾智希,曾子益,陈志强,郭忠祐,李之勤,潘奕如,范瑞君,王耿豪,吴铃山,张倩,李运庆,罗子惟,宫美乐,王晴,于浩威,马国毕,张世贤,徐千京,黄子玲,黄靖雅,李佩怡,吴政澔,黄尚禾,吴皓升
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内详
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贾冰,田嘉瑞,闫佩伦,孔令美,包文婧,土豆,林俊毅,杨皓宇,李萍,周德华,杨雨光,刘桦,赵龙豪,黄小蕾,张明健,李至强,马诗红,张华,张天其,梁颂晴,刘佳颖,文松,王喳喳,房岩,唐家三少
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魏哲鸣,刘些宁,马渝捷,马梦唯,季美含,金泽灏,费启鸣,赵晴,赵煊,徐梵溪,高曙光,傅淼,田玲,冯雷,刘冬沁,李卿,李传缨,黄义威
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全26集
张一山,李沐宸,郭晓东,葛铮,赵明川,华雯,肖然,任若希,吴昊宸,丁圣霏,黄品沅,刘伟,迟嘉,鄂靖文,徐洋,郭鹏,赵梓冲,周思羽,刘頔,周劢劼,常方源,高飞,建康,丁文博,于小鸣,刘旭柏,左航,宋元,屠芷莹,罗刚,刘碑歌
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井柏然,孙千,刘小北,齐天晴,张晔子,宁心,赵振宇,张优,彭杨,郭晓婷,李川
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Boss Patthakarn,吉查功·甘诺通,彭沙功·麦塔立卡侬,Phoom Chawonwat,Little Siravit,Anton Kruger,Ohm Nutthapoom,Namnung Van de ven,Kim Kanoklak,皮拉纳·威拉尼毕昆
In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.